1/17

Cockatoo Island

(Ziatype prints on cotton berger,

hand finished with beeswax & lavender)

 

 

The powerful portrayal of absence breaths life into the past.

 

The history of Cockatoo Island is emblematic of Australia's history. Before the invasion of Europeans, it was undoubtedly used by the first Australians, the Aboriginal tribes of Sydney's coastal region. In 1839 it was chosen as the site of a new penal establishment by the Governor of the colony of New South Wales. Convicts were put to work building prison barracks, a military guardhouse and official residences. Not long after, the maritime history of Cockatoo Island began with the construction of the Fitzroy Dock by convicts. For the next 50 years the island was both a place of incarceration and the site of the colony's ship repair and shipbuilding activities. During the twentieth century maritime activity grew, notably during World War I and World War II. For a time, Cockatoo Island was the largest shipbuilding yard in Australia. When the shipyard closed in 1992, Cockatoo Island lay dormant for a decade until the Sydney Harbour Federation Trust was established and given the responsibility of revitalising this significant site. 

 

The ziatype is a print out process that uses lithium palladium chloride and ammonium ferric oxalate applied to paper by hand to produce a continuous tone print. The Ziatype Process yields a print that is remarkably similar to the platinum / palladium print.

 

 

¬© 2019 by Vanessa Harper-Mathews

All artwork, images of artwork and writings on this website or on any social media site connected to Artemple.Global/Vanessa Harper-Mathews artist are the sole property of Vanessa Harper-Mathews and are not to be used or reproduced without express permission for profit, personal or commercial use/gain in any way. Please note that Vanessa Harper Mathews retains all rights to all of her artworks including commissioned and sold paintings. This means that she owns the right to make reproductions or prints of any artworks at any time. ¬©Vanessa Harper-Mathews 2018  all rights reserved